![]() The spectacular sound quality and precise mixing levels allow folks to come as close to possible to hearing what it actually sounded like to be at a Dead show.Īnother pro to this show is the set list selection which, though typical for 1977, has many of the favorite songs that most Deadheads love the best. Therefore, this show was probably the most successfully circulated show out there. Add to this that the show was also released as a Dix Pics. That being said, this show became a gem to so many and inevitable lead to a tonal conditioning of there brain waves. Back in 'the day' such efficient medians simply did not exist. We are very fortunate, through technology, to have forums such as where we can access excellent non-mainstream music with such ease. ![]() This show can be considered the quintessential Dead show for many reasons, the music being just one of them.įirst of all, the Beatty Board recordings of this show are of phenomenal quality and were widely circulated during the pre-cd years. If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you? This is smooth and most likely undetectable. This was fixed using a quick channel swap. Really good as there are no vocals at that point.ĭ2t02 A tiny right channel digital sizzle at 12:18.418. A switch in sources is obvious to the listener but this is still pretty good. I also tried to match the volume on the SBD. This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD. For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)ĭ1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362. The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience. As this patch ends you will hear some slight phasing as the stereo field moves. I decided to patch that opening portion with a SBD and AUD recording from 5-7-77. Starting this monster project with an unrecoverable flaw was unacceptable to me. These patches are numerous and I think completely smooth and most likely undetectable.ĭ1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well. A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. The 2 AUD source coverage allowed my to patch 1 with the other in some situations. Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. So, although not complete, you will get a good idea of what was done to bring these recordings to this point.ĪLLOT of editing was done to keep the flow btwn songs. ![]() I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up. Design for use with a clear slim double jewel case. Artwork by 300dpi - For best results print at the highest resolution onto glossy photo paper. CEP2.0 used to adjust the volume for the SBD & both AUDs. CEP2.0 was used to align & synch the SBD & both AUD sources. SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN Playback on Sony PCM 701>DAT (Digital Transfer) - Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) SBD (Betty Board) > Master 7" Nagra reels 1/2 track 7.5ips > Sony PCM501. Minglewood Blues, Loser, El Paso, They Love Each Other, Jack Straw, Deal, Lazy Lightning-> Supplication, Brown Eyed Women, Mama Tried, Row Jimmy, Dancin' In The Streets Scarlet Begonias-> Fire On The Mountain, Estimated Prophet, Saint Stephen-> Not Fade Away-> Saint Stephen-> Morning Dew, E: One More Saturday Night
0 Comments
Leave a Reply. |